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Eric Miller

Chaddsford Winery Co-founder and Winemaker Eric Miller harvests grapes for his wines at the Miller Estate Vineyard in northern Chester County, PA.

If you grew up in a big Italian family with a last name like Giannetti, Marangi, or in my family’s case, DiAgostino, you’ve been drinking Italian, French, and Napa Valley wine with your Sunday plate of rigatoni and homemade red gravy since you were young. Growing up in such a food-and-drink driven culture with generations of foodies, top notch cooks, cheese snobs, and wine connoisseurs in my own family made me acquire strong predispositions about what I think “good” food and “good” wine is.

For example, no one in my family is running to the basement to bring up a bottle of 2005 “Merican” Cabernet Sauvignon made in Chaddsford, PA to uncork and savor with a hunk of sharp provolone—in fact, my uncle would most likely slap me in the back of the head and say, “Whatta’ you crazy? Pennsylvania makes Hershey’s ice cream, Amish pretzels, and crispy scrapple—but vino? No.”

Vineyard

Grapes from the Miller Estate Vineyard are typically bottled as part of Chaddsford’s prestigious Portfolio Collection of small, vineyard designated cuvées. Others make up the winery’s regional specialties, Proprietors Reserve White and Red.

However, after an afternoon of research for Longwood Gardens’ upcoming Wine & Jazz Festival that features only Pennsylvania fine wines—I am feeling brave enough to bring home bottles of what I think are some of the most sumptuous and delicious wines I have ever tasted.

Last Tuesday, I was fortunate enough to spend a few hours sipping, swirling, tasting, and talking with the Chaddsford Winery’s very own co-founder and winemaker, Eric Miller. I was very upfront and told Eric about my family and my skepticism about grapes grown in the north east—specifically in Pennsylvania. In reply, Eric said something that I wholeheartedly agree with that changed my perception about local wines. He said, “Pennsylvania people are learning to support local farms and foods more than ever. And at the Chaddsford Winery we’re seeing that people are dropping any stigma they might have had when it comes to local wine. They’re trying it—and loving it, not only because it’s world-class wine, but because it’s local. The best part for many people is they feel especially connected to our bottles of wine because they know where it comes from, and it has a story.”

Wine barrels at the Chaddsford Winery.

Eric, who founded the Chaddsford Winery up the road from Longwood Gardens in 1982 with his wife Lee Miller,  developed his interest in wine as a child when he lived in Europe with his “wine-nut” parents. In the mid-60s, after spending a year in the tiny village of Saint Romaine, Burgundy, his family moved back to New York in the Hudson Valley where they founded the state’s first farm winery, Benmarl Vineyards.

For Eric and Lee, the first step in founding Chaddsford Winery was to scour the east coast to find what they believed was the best grape growing region for their new venture—and this venture is what brought them to the Brandywine Valley. In their first year of business, Eric and Lee produced 3,000 bottles of wine, and today the Chaddsford Winery corks 30,000 bottles, annually.

While sampling some of the wines that will be featured at this weekend’s Wine & Jazz Festival, Eric convinced me that he has found the best grape growing region on the east coast. I applaud Eric for passionately pursuing his goal to work toward establishing the Atlantic Uplands as a significant American wine district. Eric, who calls himself a barrelhead and a wine geek, is most in love with this business because he gets to work with smells and flavors all day long.
At a small wood table in the rustic tasting room at the back of the Chaddsford Winery, Eric and I went through the five S’s of wine tasting: see, swirl, smell, sip, and savor.

Normally, I don’t go through all of these steps—I simply uncork, pour, and down the hatch—but Eric truly believes that by making a point to experience each of these components will help you remember the wine in the long-run.

Aimee Theriault

Me at the Chaddsford Winery in May 2011 tasting some of the wines that will be featured at Longwood Gardens' 5th Annual Wine & Jazz Festival on Saturday, June 4.

Together we sampled the following wines that will be at Longwood Gardens this weekend:

Merican Cabernet Sauvignon (2005): This is a table wine I am most looking forward to bringing home to my family. When I took a good look I saw shades of brick red and almost a hint of blue-red. It smells woody, which makes sense because Eric says this wine is barrel-aged. Upon my first sip it tasted truly complex without being too aggressive. It has a smooth texture, a strong grape flavor, and kick of herbal character. Eric says this wine is ideal for paring with a simple medium-rare steak.

Naked Chardonnay (2010): Although I have a strong preference for red wines, I was delighted by the bright blast of peachy fruit notes and crisp acidity upon my first sip of the Chaddsford Naked Chardonnay. This particular bottle, which holds a golden apple colored wine, is a seasonal wine that is an early summer bestseller. Eric recommends pairing this sweeter wine with a more bitter dish like grilled asparagus.

Red Wine Sangria (2010): I was surprised to find out that Eric didn’t just make dry table wines—but that he also mastered the craft of creating fruity wines, too. Eric says wine-makers don’t discount even the sweetest of wines like sangria because it serves an entirely different purpose. “People who drink sangria are not having dinner—but they are people who want to enjoy a cocktail while being social,” says Eric. Eric says the secret to his sangria is that he makes sure (in the lab, before it’s bottled) that it tastes good watered down 10% from ice. When I look at this wine before tasting it, I see a medium bright red. Upon hitting my mouth this wine bursts with citrus flavor. I can taste notes of cherry, orange, and lemon. This glass of sangria is so refreshing. For me, the best part is that it’s not overly sweet and has a complimentary acidic after-taste.

To make this sangria even better for a large backyard party or BBQ, Eric suggests this recipe:
Sunset Sangria Punch—the perfect cocktail for anytime the sun goes down…
1 Bottle of Chaddsford Red Wine Sangria
1 Bottle of Chaddsford Blush
1 Liter of Lemon-lime soda
Fresh fruit (Freeze prior to putting in the punch: peaches, lime slices, mango slices, orange slices, lemon slices)
Directions: Combine equal parts Sangria and Blush. Then, add the same amount (to make half/half mixture) of lemon-lime soda. Serve over frozen fresh fruit.

Chaddsford Winery Wines

From left to right: Naked Chardonnay (2010), Merican Cabernet Savaigion (2005), and Red Wine Sangria (2010).

Wine lovers, wine novices, and PA-wine skeptics alike, I urge you to come taste all the wines of Pennsylvania this weekend at Longwood Gardens, on Saturday, June 4 from 12 to 5:30 pm. Limited tickets for the Wine & Jazz Festival are still available on the web or you can purchase tickets by calling 610.388.1000. If you can’t make this weekend’s event, you can make a reservation for a fall wine pairing dinner with Chaddsford winemaker Eric Miller at Longwood Gardens on September, 9 at 6 pm called the “Kennett Square Mushrooms & Chaddsford Winery Wine Pairing Dinner.”

For more information on upcoming wine tasting events at the Chaddsford Winery visit the Chaddsford Winery website.

Aimee Theriault is a Marketing Communications Associate at Longwood Gardens.
Photo credits: Brian Piper.

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Justin Hartz

Justin Hartz

Longwood Gardens is pleased to welcome guest blogger Justin Hartz to “Behind-The-Plants.” Justin made his recital debut at Longwood Gardens in 1989. He has played many programs for Longwood’s guests, and presented programs on the Longwood Aeolian for the Organ Historical Society’s national convention and for area chapters of the American Guild of Organists. His CD recording “Hartz and Flowers”, recorded at Longwood, has introduced many listeners to our historic instrument. A scene from his video “Midnight Pipes” featuring the Longwood organ and fountains may be seen on Youtube. Justin Hartz is a graduate of The Juilliard School and Westminster Choir College. He serves as Organist and Director of Music at Christ Episcopal Church, Riverton, New Jersey, and teaches piano and organ.

Close-up of Choir pipes with labels

Close-up of Choir pipes with labels - This close-up of the wooden racks show the identifying labels that recreate the original Aeolian font.

One December afternoon, a young family wanders among the lily-scented Conservatory at Longwood Gardens. The children, dressed in bright Christmas sweaters, stroll along the path, stopping to smell the paperwhites and point to poinsettias in unusual shades. Suddenly the ground begins to shake, and the rumble of distant thunder is heard. But wait! There’s snow on the ground and the sun is still shining. Curious to find out the source of this new sound, they begin walking in the direction of the vibrations and find themselves in Longwood’s elegant Ballroom. There they discover the source of the sound: a white-bearded gentleman sits at the controls of a massive pipe organ console. The organist stops, turns around, and from behind from his handlebar moustache, says “Welcome to Longwood Gardens! My name is Justin Hartz, one of the organists, and I’m very happy to be here today to play for our holiday sing-alongs”

My name IS Justin Hartz, and playing the organ for Longwood’s visitors is one of my favorite things to do! Many people discover our 10,010 pipe organ by chance, just as I’ve described. Some folks come year after year to our organ sing-alongs, often bringing several generations of family members as part of a holiday tradition.

Then there are those who know about our wonderful Aeolian Organ and have heard it before, live, on CD, or on the internet. The great news is that the restoration of Longwood Garden’s pipe organ is nearly complete! All 10,010 pipes have been restored. When the restored organ debuts during Longwood’s Organ Fanfare Weekend, February 4–6, the organ will sound just like it did when it was brand new in 1930.

You can get a preview of the new organ on Longwood’s website, where you can listen to the sounds of the pipes, learn the history of the largest residence organ in the world, view pictures of the pipes, find out about upcoming organ concerts, learn about the extensive restoration, and more!

The Organ Console in the Organ Museum

The Organ Console (used from 1959 to 2000) in the Organ Museum

The Current Organ Console in Longwood's Ballroom

The Current Organ Console in Longwood's Ballroom

Like everything else at Longwood, there is much going on “behind the scenes” before any guests hear a note of music! First, there is the organ itself. Pipe organs are often shrouded in mystique. Some are located in high lofts in dark cathedrals and castles. The motion picture industry often places an organ in a haunted house or subterranean dungeon (while the opening bars of Bach’s Toccata and Fugue in d minor are played). Fortunately, even though Longwood’s pipes were hidden from view, visitors can now see them and their associated mechanisms through the glass walls of Longwood’s Organ Museum. Now it is easy comprehend the diversity of sizes and shapes of organ pipes—from the towering 32-foot pedal pipes to the tiniest string and mixture pipes.

East Pedal chamber with 372 pipes

East Pedal chamber with 372 pipes

As effortless as it looks, one can’t just sit down at a console the size of Longwood’s and just “play.” Lots of practice, preparation, and training is involved (Yes, Virginia, Santa’s Helper really did major in Organ at Juilliard)! The first thing I do—after learning the notes, of course—is to “register” the piece I’m going to play. Does the music require soft, medium, or loud sounds? Should this section sound majestic, like a Cathedral organ, or would it sound better with the light-hearted, throbbing tremolo of a Theater organ? Would this section sound best with a clarinet, a trumpet, or an oboe? Should the pedal rumble like an earthquake, or sound lightly like a bass violin? Strings, flutes, vox humana or all of the above?

Percussion Division of Longwood Organ - Glockenstern

Percussion Division of Longwood Organ - Glockenstern

Deciding which stops to play on the Longwood organ is like selecting colors for a painting. And like the rest of Longwood Gardens, the variety of sounds I can create with our organ are as varied as the wonderful color combinations our gardeners create with flowers.

Over this past holiday season, I’ve been preparing music for the re-dedication of Longwood’s organ. I hope you will join us as we celebrate the return of the organ on February 4–6. My contribution will be a recital of “Organ Music Inspired by Nature” on Saturday, February 5 at 3:00. I look forward to seeing you and your families then!

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Rob Ickes

Rob Ickes

Longwood welcomes Rob Ickes, founding member of Blue Highway, as a guest blogger for Behind-the-Plants. Blue Highway will be performing at Longwood Gardens this Saturday, July 11 at 7:30 pm. Find out more about the show & buy tickets online.

We’ve shared the bill with some noteworthy characters, but our upcoming Longwood Gardens performance presents quite the challenge.  Giant water-platters!  Insect-catching pitcher-plants!  Dawn redwoods, weeping beeches and bald cypresses, not to mention a whispering-bench and a Love Temple!  What can we add to that mix that isn’t gilding the lily?

We did perform once for a bald eagle. A little unnerving, performing before such a steely-eyed gaze; with that experience under our belts, we feel prepared for an audience that includes even the hungriest of carnivorous plants!

Seriously, Longwood is the perfect setting for “garden grooves”, and a perfect venue for us to celebrate our 15th anniversary as a band.  Given how often bands undergo personnel changes, it’s hard for us to believe that at the 15-year mark, we are still out there performing with the original personnel that first took the stage on December 31, 1994.  We hope you’ll help us celebrate by joining us at Longwood on July 11.

Could there be a more photogenic spot than Longwood?  Capture the spirit in a photo for our 15th anniversary photo contest; we’d love to post your photo on our website. Camera or not, we hope to see you there!

Blue Highway
Blue Highway

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Fireworks10

The du Pont family has been fascinated with pyrotechnics for nearly two centuries, which is not surprising since they manufactured explosives.  Longwood’s founder Pierre du Pont (1870-1954) was one of the family’s most enthusiastic fireworks impresarios. The interest in both pyrotechnics and fountains that Pierre began nurturing more than a hundred years ago has exploded into arguably the most artistic display of fire and water to be found anywhere.

This year is no exception, and the season’s first of five Fireworks & Fountain Displays will be launched this Sunday, May 24, at 9:15 pm. Entitled Khachaturian Cavalcade, the program features music by Aram Khachaturian. The show includes the tuneful Mazurka, Nocturne, Waltz, Romance, and Galop from music for the 1941 play, Masquerade. The Adagio from the 1956 ballet Spartacus is intensely lyrical, while the well-known Sabre Dance, Dance of the Rose Maidens, and Lezghinka from the 1939 ballet Gayaneh bring the show to a memorable close.  As unknown as the titles may be, parts of the program should be surprisingly familiar to many viewers.  There will be great contrast between the slower, quieter pieces and the highly energetic showstoppers.

Fireworks4

Designing a Masterful Display
I work in conjunction with Art Rozzi and Jamie Deye of Rozzi’s Famous Fireworks, from Loveland, Ohio, to design our Fireworks shows.  The design process begins months ahead with choosing the music. I then indicate where fireworks should generally occur during each half-hour show, using unique reference points provided by a SMPTE (Society of Motion Picture and Television Engineers) time code that runs with the music; specific effects or important musical accents are also noted.  The shows are then designed independently on two separate computer systems, one for the fountains and one for the fireworks. Some segments are color coordinated, particularly if it is desired to have all fountains and fireworks the same color.  At showtime, the two programs run independently but appear perfectly coordinated because they are linked by the SMPTE time code.  Without computers a show of this complexity would be virtually impossible to do.

Additional shows this season will be held thoughout the summer:
Khachaturian Cavalcade, May 24
Founder’s Favorites, July 4
ABBAcadabra: The Magic of ABBA, August 8
Khachaturian Cavalcade, September 6
ABBAcadabra: The Magic of ABBA, September 19

Find out more about these shows and buy your tickets online.

Fireworks3

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Longwood is thrilled to welcome Jazz Singer Denise King at a “guest blogger” on Behind-the-Plants! Denise will be performing at Longwood this Saturday, during the Wine & Jazz Festival, as the opening act for McCoy Tyner. This will mark her second appearance at the Festival. Find out more about Denise on her MySpace page.

Denise King
Denise King

I’ve always fancied myself a gardener, an urban farmer of sorts. The truth is I love gardening. I love it almost as much as I love to sing. My passion for plants and flowers began in my teens, not too long after I fell in love with Jazz. I discovered many great Jazz artists and learned lyrics during that time by listening to all of the greats. Oddly, I didn’t develop a green thumb until much later in life. Working in the rich fertile earth provided a place to for me to put my cares and worries. Coupled with Jazz, I had surely found bliss.

For one who is passionate about both, you can imagine my delight when I was invited to perform at the Longwood Gardens Wine and Jazz Festival. It was indeed a marriage made in floral audio heaven. The lush green grounds and exotic flowers provided the perfect setting for a singer who so loves flowers. The inspiration was intoxicating.

Last year on a beautiful spring day I had the pleasure of performing for a very enthusiastic audience, at this fabulous venue. The music was mellow enough for those who wanted to listen and upbeat enough for those who wanted to dance. Some in attendance enjoyed the sounds while savoring a delicious lunch in the open air cafe. Others enjoyed wine and cheese on brightly colored picnic blankets with the sweet sounds of a saxophone and tinkling piano floating on the breeze. Others elected to sample wine from the various vineyards set up in brightly colored cabanas. It was lovely sight to behold. After I finished singing I tried the food, delicious I might add, and several varieties of reds and a few whites all of which were excellent. I couldn’t have asked for a more perfect exclamation point at the end of my performance.

For anyone who loves Jazz in a very relaxed, less formal setting, the Wine and Jazz Festival at Longwood is a perfect union of beautiful flowers, great music, delicious food and wine. I can’t think of a better way to spend a spring afternoon. I hope to see you there.

The Square Fountain on Longwood's Flower Garden Walk

The Square Fountain on Longwood's Flower Garden Walk

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